Japanese family gameshow motherless how to#
Japanese family gameshow motherless series#

Japanese family gameshow motherless series#

The editing of a series of images reveals the Photo-stories not only describe what’s in front of the camera but also who is behind it. I strongly believe story-telling is important in photography. He liked my project so much, he helped get me access to the father who leads off the series. After combing through Tehran’s most religious neighborhoods, I finally met a clergyman who was interested in photography. For example, finding a member of the clergy was challenging. So, the biggest challenge in “Fathers and Daughters” was simply finding enough different families who were willing to be photographed.

Japanese family gameshow motherless how to#

When I visited Iran in 2014, after seven years away from the country, the idea sprang to mind.įrom my experiences in photojournalism, I have learned how to quickly build trust with my subjects. His illness and then eventual recovery brought us much closer. I was driven to begin “Fathers and Daughters” after my father nearly passed away. This inspires my work on Iran, sparking my desire to show a reality that many people don’t get to see. During my time away from home, I noticed how often people talk about Iran without having a real picture of the country in their minds. Surprisingly, the editors showed more interest in myįor the past 11 years, I’ve been living in Malaysia, working as a university lecturer. Soon, I bought a camera to take pictures to accompany my stories. Originally, Iįound a small job in one of the pioneering newspapers. Nafise Motlaq, a self-taught photographer from Iran. LensCulture Assistant Editor Alexander Strecker interviewed the photographer, and here is an edited version of their exchange:

I asked each of the young women to give a short statement about their fathers they can be read in the captions.įrom the first time we saw this series, we were fascinated by the images and by Nafise Motlaq’s ability to reach across different levels of Iranian society. The photos were made in their home environments. This is a series of portraits of Iranian fathers and daughters in different social classes in Tehran and other cities.